CHORD PROGRESSIONS ~ Page 7 - exercise 5 - Bajan Pied Piper

Around the Circle of Fifths we go with a vi-ii-VI progression. This is a wonderful exercise, touching all 12 keys. Please check my web site - sites.google.com Here you will find important information about chord progressions, practicing chord progressions and improvising. (No point repeating it here!) Please see the previous six pages in this series if this is the first one you've come upon. EVERY SONG is made up of chord progressions eg: I-vi-ii-VI; I-iii-vi-ii-VI; I-IV-VI etc... An analysis will show you innumerable songs have identical progressions! Take a look here ~ www.youtube.com WHAT IS THIS TELLING YOU? Learn to play over progressions with pizzazz and you'll be champion when you meet them in a song! Yes! It's that simple if I may say it simply! THE MOST IMPORTANT CHORD PROGRESSION IN JAZZ IS THE ii-V. A song may consist of many progressions Example ~ there are three ii-V progressions you can notice in this illustration ~ Cmaj7 / Dm7 G7 / Em7 / A7 / Dm7 / G7 / Cmaj7 Dm7-G7 forms a ii-V in the key of C Em7-A7-Dm7 forms a ii-VI in the key of D minor Dm7-G7-Cmaj7 forms a ii-VI in the key of C This video is a vi-ii-VI progression following the circle of 5ths through all 12 keys. I have put the ii-V in the two center columns resolving to the tonic in the 4th column. It begins at slow tempo and increases, HOW TO USE THIS BACKING TRACK ~ If youre playing a chording instrument you can of course strum or comp the chords but if you want to be serious about music you have to ...

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